Lay-Flat Paperback Book with Jacket | Project for Smithsonian Books

At Imago, working with print is what we do! So naturally, we were delighted and excited to work with Smithsonian Books to produce a stunning lay-flat paperback book that is dedicated to the life’s work of Hokusai, a Japanese master artist and printmaker of the ukiyo-e (“pictures of the floating world”) school.

The overall production needed to be sympathetic to Hokusai’s work, with clever use of format, design, paper choices, and both printing and binding techniques throughout the piece. A cornerstone of the clever production methods used is the lay-flat (or OTA binding), whereby the cover is attached to the book block at the front and rear hinge only, allowing the book to open flat during use. This makes a beautiful visual impact when the book is opened, resulting in artwork, captions, and descriptions to flow uninterrupted.

Paper Types

Paper types for the internal pages were also of paramount importance when producing Hokusai’s Brush, as the images needed to display on paper stocks that are sympathetic to his artwork with minimal alteration to colour and brightness.

With this in mind, Imago opted to use two types of paper for the content including a 115 gsm matt paper for the gate-folds for a better overall lay-flat finish and a 120 gsm woodfree paper for the rest of the production.

Inserts

The production included two six-page facing gate-folds in the centre of the book to display beautiful imagery by Hokusai in a large-scale format without the disruption that would usually occur when displaying an image across the centre of a traditional double-page spread.

Attention to Detail

It was also important that the cover stock matched a sample book provided by the Smithsonian, so our teams at Imago spent a lot of time researching and matching paper stock to create the desired outcome.

The culmination of this is seen in the unique light blue, speckled cover which uses a textured ecological 350 gsm paper.

Considering the Environment

The paper used has fantastic environmental benefits too, as the algae it is made from was once sent straight to landfill as it damaged the delicate lagoon ecosystem of Venice.

However, it is now used by the paper manufacturer as raw material in their paper making processes, including the production of the cover of Hokusai’s Brush!

Project Overview

At the time that we Imago worked on this project, the Smithsonian was exhibiting Hokusai’s work at the Smithsonian’s Freer Gallery of Art. As noted from an article written by Roger Catlin, the exhibition of Hokusai’s works marked the 260th anniversary of Hokusai’s birth and the centennial of the death of the museum’s founder Charles Lang Freer.

To coincide with the various events arranged by the Smithsonian, the lay-flat paperback books were ordered and completed on a schedule of six weeks from approval of the plotters and proofs to the completion of the book ready for shipping and delivery.

Unfortunately, due to covid restrictions, the museum had to temporarily close in 2020 but now they are beginning to slowly reopen to display Hokusai’s work.

Citations Below

Roger Calin Article

Smithsonian Article

The Visual Impact

The overall production needed to be sympathetic to Hokusai’s work, with clever use of format, design, paper choices, and both printing and binding techniques throughout the piece.

A cornerstone of the clever production methods used is the lay-flat (or OTA binding), whereby the cover is attached to the book block at the front and rear hinge only, allowing the book to open flat during use.

This makes a beautiful visual impact when the book is opened, resulting in artwork, captions, and descriptions to flow uninterrupted.

Start your project

Imago would be delighted to work with you on your next print project. Get in touch with the team to discuss your ideas, no matter how out of the box they might seem!